Chris Brown
![]() | Born |
| September 9, 1953 | |
| Active Decades | |
| 19001020304050607080902000 | |
Chris Brown began his music career as a classical pianist, but became increasingly influenced by American experimental and improvised music. These influences, combined with studies of Indonesian, Indian, and Cuban musics, led Brown further into free jazz. Since the late '70s, Brown has been building personal electronic instruments, using analog circuits to modify acoustic devices' sounds, and mixing these with concrete and synthetic sounds. He created an installation of networked rhythm machines, called Talking Drum, that made stops in San Francisco, Montreal, and Holland. Brown has received commissions from Abel-Steinberg-Winant Trio, Rova Saxophone Quartet, and the Berkeley Symphony Orchestra. He was a member of The Hub from 1986 to 1998, and of Glenn Spearman Double Trio. Brown has performed piano music by James Tenney, Henry Cowell, Luc Ferrari, and more, and recorded and performed in the free jazz tradition at venues including the San Francisco, Monterey, DuMaurier, and Victoriaville festivals. The end of the '90s found Brown working on a new series of concert pieces called "Inventions"; they are based around the results of a polyrhythm generating software. In addition to this, he has been developing the Eternal Network Music Site, which involves linking musicians in different cities during one performance, and playing in Room, a new music trio with Larry Ochs of Rova and William Winant. ~ Joslyn Layne, All Music Guide
C 2008 All Media Guide, LLC
Content provided by All Music Guide R , a trademark of All Media Guide, LLC.
Content provided by All Music Guide R , a trademark of All Media Guide, LLC.
There were many pseudo-hippie, jam-oriented blues rockers in New York during the early '90s, but only The Spin Doctors made it big. And they made it big because they not only could immerse themselves in a groove, but they also had concise pop skills. "Little Miss Can't Be Wrong" and "Two Princes" were cleverly written singles, full of clean, blues-inflected licks and ingratiating pop melodies. Pocket Full Of Kryptonite had been around for nearly a year when MTV and radio began playing "Little Miss Can't Be Wrong," but once they started playing it, they couldn't stop.
more...
more...



![Talking Drum [2005 Reissue]](http://s3.amazonaws.com/amg.standardinteractive.com%2Fpop%2Fcov75%2Fdrg700%2Fg754%2Fg75454b4cv8.jpg?AWSAccessKeyId=1XZS32JHDXAAENRTGQ82&Expires=1221248783&Signature=YHiChvqcu9g5ggg6hSRjWHk9LSw%3D)




Lottery results for Fri, Sep 05
